Author: Kiersten White
Publisher: Harper Teen
Genre: YA FANTASY
Synopsis: Jessamin has been an outcast since she moved from her island home of Melei to the dreary country of Albion. Everything changes when she meets the gorgeous, enigmatic Finn, who introduces her to the secret world of Albion’s nobility. It’s a world that has everything Jessamin doesn’t—power, money, status . . . and magic. But Finn has secrets of his own, and the vicious Lord Downpike will do anything to possess them. Unless Jessamin, armed only with her wits, can stop him.
Illusions of Fate is enchanting. I loved it. I loved the magic (though it wasn’t intense), I loved the characters, I loved the love. I loved Sir Bird (I’ll explain).
Illusions of Fate centers around a girl, Jessamin, who is trying to get an education in the face of a lot of discrimination (a very admirable trait). She is from the island of Melei and has dark skin and hair. She doesn’t look anything at all like her Albion counterparts. Jassamin doesn’t have enough money to pay for school, either, and works in the kitchen at a hotel nearby. She’s very smart and at the head of her classes, though no one pays much attention to her and everyone makes terrible comments.
From what I gather, Albion colonized Melei and all the Albions make terribly assumptions about Melenese people, culture and languages and all of the Melenese people are displaced, killed, stripped of their culture. Jessamin is actually the daughter of a Melenese woman and an Albion man, who happens to also be a professor at the school she attends.
One day, Jessamin meets Finn after she wonders down the wrong street. He saves her and the rest is history. Sort of.
I admired Jessamin because she found it really hard to fit in and yet tried really hard everyday. In the face of adversity, she persevered. She had goals. She wanted to learn as much as she could, then go back to her home and teach. She wasn’t really interested in getting married. I could relate to all of these things. I couldn’t relate to the math analogies though. Nope.
Finn is mysterious in many ways–almost to the point where he’s not completely grounded for me in this book. He’s also a magician and a political figurehead who really wants peace while others push for war. When he meets Jessamin, he’s almost instantly in love with her. Normally, this bugs me, but with Jessamin and Finn, it didn’t as much. I think it’s because the whole idea of this novel was FATE, and also because I liked the dialogue between Jessamin and Finn.
I also liked that while Jessamin didn’t have many friends, she could come to rely on Finn and Eleanor (someone she meets at a party). At first I was afraid that Eleanor wouldn’t be good–that she would betray Jessamin in some way, but that wasn’t Eleanor’s intent. I do wish I would have gotten to see more of how Eleanor schemed. It was hinted at a lot, and shown on a small scale, but we never really got to see how powerful Eleanor could be–and we won’t, apparently, because this is a standalone.
In White’s world, only the elite of society can do magic, which I found disheartening. I’m also not sure how the magic works all that well. I know that Finn stores magic in his cane to use for spells. There’s some physical stuff like powder that makes you speak the truth and some cards that Jessamin pulls from (always the same cards, LOVERS and FATE). Despite not knowing much about where magic is drawn from, everything felt so MAGICAL and I loved that. Like the way Finn and Jessamine escape from Lord Downpike. I just loved it. I also liked that healing magic wasn’t an instant fix. It took time.
Lastly, my favorite character was Sir Bird. He didn’t even speak, but I loved him! He was Jessamin’s savior more than once and comic relief.
Now, I will say, one thing that made me sad was that *spoiler* as things get more dangers, Jessamin leaves school.
I’m a huge advocate for education.
I know things are dangerous, but did she really have to leave? I know at the end she’s considering where she’ll go to school next, but this irritated me.
Overall, LOVED. 4 stars